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Wednesday, July 23, 2014

Sathuranga Vettai - Conned! (150+120)*

Sathuranga Vettai – Conned! (150+120)*

Cast:- Dharani, Ilavarasu, Natraj Subramaniam, Ishra Nayar, & Ponvannan among others

the Crew:- S/SP/Dir – H.Vinoth, D.O.P.- KG Venkatesh, Music – Sean Roldan, Edit – SP Raja Sethupathy

Produced by: - Mano Bala/Sanjay Rawal/Subash Chandra Bose

Distributed by: - Thirupathi Brothers

The Story, backdrop and setting (Screen play)
Why does everyone rave about this film – ‘Sathuranga Vettai’? The answer is quite simple. If the premise deviates from the main stream ‘kollywood’ formula or if the characterization of the protagonist matches with the mood of the viewer plus the visualization similes’ are somewhat different the critic’s rate it as an instant hit! This rating need not necessarily make such films good by way of content or performances. I don't think that critics praise such films because it’s a great film but to them it is like a whiff of fresh air which they can breathe in after watching dozens of mediocre formula films every Friday 24*7*365 days sitting inside a dark theatre devoid of feelings or numbed to submission by the forced monotony.

If you have watched the BBC TV serial ‘HUSTLE’ which began in the year 2004 and continued till about 2012 you will be in total agreement with me as to why a film like Sathuranga Vettai is a very poorly made film of the ‘con’ genre. Immediately don’t simply go into the usual ‘desi’ mode – ‘Look! Stop comparing our films with Hollywood ‘machaan’! Our films have its own unique identity and need to be enjoyed with that in mind balh, blah, blah etc, etc.”  I am only comparing the two on plot content and characterization. So remove your damn blinkers if you still have them on and not for god’s sake but your own watch ‘HUSTLER’!

S.V is all about a con man Gandhi Babu (Natraj) and his schemes to fool the gullible common man. It’s also supposedly based on real incidents. Agreed! It starts with an apt simile of a Cheetah hunting down an ostrich and moves on to the protagonist fooling a small time provision shop owner being taken for a ride by using a live snake (sand boa) professing it’s venom possesses magical qualities to increase one’s sexual prowess. Moral of this con - The merchant pays the price for his foolishness. Lack of content forces the director to prolong this issue beyond reasonable levels. I do admit that there are many funny moments in this incident that brings a smile. The second act opens with the infamous ‘MLM’ chain con game. Here again Natraj plays the role of Gandhi Babu the con man and fools the gullible public to buy worthless water in this case tap water and makes a fortune. Here the director brings in the female lead (Ishra Nayar) who initially joins the chain scheme as a promoter and G.B spotting her innate simplicity and innocence user it as an asset to further his quick rich scheme though his buddies resent it. Indira taken in by Gandhi Babu’s charisma and gift of the gab hopelessly falls for him but even though attracted to her simply he uses her to make money. When the scam is exposed he scoots with the booty leaving her hanging and lost. Before leaving her G.B explains to her about the ultimate value in life is money and money alone and the reason why he worships money as the only Supreme Being in this universe. An animated flash back in 2D about N’s childhood tragedy etc (very similar to Kamal’s Indian story) is shown but fails to move you. Here Animation is used to enhance the viewer’s visual experience an old technique used even in the 90’s like in films like ‘Run Lola Run’.  G.B is finally nabbed by the police when he attempts to replicate the snake con on a cop posing as a government employee. Then the cops beat G.B to a pulp in to make him disclose the location of the swindled money. G.B refuses to open his mouth in spite of repeated 3rd degree torture methods used by the cops and portrayed frequently in Tamil cinema (the ice block/cold water routines). Here somehow G.B’s expressions and body language failed to evoke in me any kind of emotional reaction. I was going along with the mundane routine orchestrated by the director with a hope that the story will somehow move forward from the kind of repetitiveness that had already set in. Finally at the end of it all the infused seasoned old cop humour too fell flat. Then the usual corruption routine began. The same old story of  corrupt prosecutors, cops, politicians, government officials etc added up to about 146 ‘Vaidha’s’ in number (frequent requests of postponement of the case by the accused) with frequent intercuts of flashbacks of the various con scams and G.B’s involvement with them which failed to speed up the premise. Finally after quite a drag G.B is released and goes scot free. The stupid cop waiting outside the court house smiles in admiration* shakes hands with G.B and bids him good bye with a stupid word of advice that ‘money’ is not everything in life. The director thus sets the tone of the reformation of the con man G.B! Why admiration* – The cop is moved by G.B’s impressive punch dialogues like ‘I don't intentionally con anyone. I only con those who simply want to be conned! ‘Wow!
The 2nd half: - Immediately after his release a former victim of G.B’s ‘EMU’ con (who by the way watches the entire court proceedings) hires a ‘SenThamizh’ speaking don and his 3 ‘adiyals’ in an attempt to recover his money from G.B. This happens to be the director’s one and only suspense element in the film. I really could not fathom the object of this SenThamizh speaking don. Was it a dig at someone? I hope someone enlightens me on that. Anyway’s immediately on his release G.B is kidnapped by the don and his hirelings and taken to a remote warehouse (Binny mills compound for the nth time) and once again bashed up. True to self G.B once again remains defiant and does not disclose the place where the loot is hidden. Now the don goes one step better than the cops in 3rd degree torture methods. He clamps G.B’s head on to a vice and bellowing a sinister ‘Nambiyar’ like laugh threatens to squeeze his brains out and lo G.B spills the beans! After all how can a brainless G.B make money! I wonder why the cops did not think of the vice technique. Probably Binny mills compound was not made available to them. From here on the director decides to further hoodwink and con the viewer to such absurd levels of mediocrity and full marks to him he is absolutely right. The viewer repeatedly falls for it by watching films like these and praising it to kingdom come for want of doing anything better! To cut the story shot without much ado G.B arranges for the repayment of the EMU loot. Then the unexpected happens G.B’s buddies decide to decamp with the money by double ‘conning’ G.B. As they proclaim “after all we have been taught by an excellent teacher” (G.B). G.B the brain that he is then sells the don another con to save himself. Following this in a bizarre turn of events the ‘dumb’ don kills the EMU ‘con victim’ and joins hands with G.B in a quest to con more people to make a fortune. What follows is not at all surprising as G.B once again fools the ‘dimwit’ Don and his brainless ‘adiyals’ and has them all trapped by the police. Suddenly with the ‘cops’ word of advice still ringing in his ears G.B drifts aimlessly all over Tamilnadu in a quest to seek obsolesce from humanity for all his sins. He like the proverbial saint gets decides to get bashed to a pulp by all the victims who seem to instantly recognize his mug as he drifts aimlessly while travelling in a bus, walking, or inside the customary tasmac bar etc. The repeated bashing even made my hand to ache when finally bloody and limping the director allows our hero to collapse inside a readymade shop situated in some remote corner of Tamilnadu  where surprise! Surprise! Indira his long lost love is now working! Our directors simply think right out of the box to con us in believing anything and make it sound incredibly credible. Indira then takes care of poor G.B with the help of an NGO who resembles Mr. Nedumaran (By the way this NGO has received a contribution from G.B in the past at the instance of Indira) Wasn't I right about the directors acumen in connecting all the irrelevant issues to make relevant connections. Now things move at an erratic and bizarre manner the recovered G.B and Indira get married and retire to a remote mountain side and build their own cute little thatched hut. Then G.B takes to some real serious farming and even makes money out of selling the produce.  What’s missing in the couple’s lives? A baby! So the director decides that Indira must now become pregnant. All’s well until the don and his 'adiyals' finally mange to track down G.B. How?  Not by GPS this time but with the help of a casual bystander who also happens to know the don and also recognizes G.B the ace con man after nearly 1 year! Amazing but true! This bystander cum tracker simply happens to be there when G.B and Indira step out of a local gynecologist’s clinic! Oh! Oh! It’s ‘G.B’ bashing time again this time by the don and his 'adiyals'. G.B again sells another con scheme to the by now “don of the dumbest” in an attempt to save his pregnant wife. G.B leaves with the don to implement another of his hair brained scheme but this time the dumb don leaves behind 1 adiyal with the wife as a backup plan in case G.B tries anything funny.  At long last the director is infusing some intelligence into the don!
Finally G.B conjures the ‘rice pulling’ con on a rich granite exporter ‘Muvendhar’ (probably another simile to denote that even the gods can be conned). This time the director is definitely taking a dig at the ‘oil pulling’ advt blitz launched by a leading edible oil company sometime back. In fact in this film is better served with well thought out similes’ rather than the actual incidents. G.B finally pulls of this con and in the process battles it out with the don on one side and to save his pregnant wife about to deliver a child by preventing the ‘dumb’ don from making the one fatal call which will end the life of his wife and the unborn child. The film then moves on to a lame duck climax which believe me left me seething with anger and frustration.

& the climax: - G.B is left to chose between his wife and a pile of cash lying in front of him!

The things which irked me most: - The whole world recognizes G.B, even a bystander for that matter but the ‘idiot’ policeman fails to recognize him at all. The wife falls on her stomach from the cycle but nothing happens to the fetus. The prolonged police lock up & court scenes. The portrayal of women in this film was in very bad light 1. Dialogue: - “I agree I am a woman and dumb! You're a male and intelligent how could you be so stupid.” 2. The heroine a week and meek woman who simply tolerates all the misdeeds of her lover and husband. No wonder the female ratio is decreasing in the country.

Acting: - Natraj as G.B – He scored only on underplaying his character well but there again too much of underplay was also his major failing. Other than that he had one single expression throughout in the film whether portraying anger, happiness, sadness, frustration or for that matter any emotion including love! In my opinion his voice modulation and body language was well below par.

Ishra Nayar – As a meek, timid and soft-spoken degree girl she played her part quite well. The director maintaining her Malayalam accent while dubbing a plus.

Don - Nothing to complain about but the dialogue delivery in SenThamizh slipped to local Tamil in a number of places.

All the rest: - Most of them played their parts as required by the premise and the director. You can’t blame them for the lack of exciting content.

D.O.P.:- Camera angle and lighting was adequate and moved with the premise though the slowness and lack of interesting camera angles especially during the lock up and court scenes dragged the film.

Music: - Adequate at times the lack of intensity and excitement in the B.G score flattened the visuals.

Edit: - A cut of 30 mins would have helped.

Bottom Line: - To be or not to be ‘conned’, watch this film and judge for yourself!

Finally a quote: - “No victim of a con would like to relive his or her nightmare, and viewers like me wouldn't like to be conned in watching films that only makes us believe we are intelligent!”

*Wasted 150 mins of my time and 120 Rs on my ticket!

My rating: - Premise 2/5

Until Next Time,
Director Haricharan
23/07/2014

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