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Friday, August 29, 2014

Irumbu Kuthirai – Director’s ‘Trojan’ horse to fool the viewers!

Irumbu Kuthirai – Director’s ‘Trojan’ horse to fool the viewers!

Cast: Atharvaa - Prithvi, Priya Anand - Samyuktha, Jhonny Try Nguyen - Sporty, Jagan, Manobala, Lakshmi Raai, Anupama, Divyadarshini, Satchu & Others

Crew: S/SP/Dir - Yuvaraj Bose, D.O.P - RB Gurudhev, Music - GV Prakash, Edit - TS SUresh

Producers: AGS Entertainment (The Kalpathi Agoram Brothers)

PREMISE: Honestly what's wrong with our film producers! Do they really think that such content as in this film will attract viewers on the contrary it will serve as a deterrent and drive them away! Honestly such films as 'Irrumbu Kuthirai' should never have been produced! Here is a classic case of too many cooks spoil the broth! In this case - film! The director has conceived a plot supposedly based on a true incident but believe me there is no real incident in this film worth mentioning. Secondly the camera man, music director, the editor and even the stunt man seem to be moving to corner personal glory. They have not worked as a team at all! No that working in a team will compensate the lack of content and screen play in this film.

The 1st half is so damn slow that it will be more fun to watch a snail doing a 100 m dash. Prithvi (Atharvaa) is doing his CA (Charted accountancy) and doubles as a pizza delivery boy at the Papa john pizza shop in Pondy. Why is he not an intern at an auditor’s office? Very good question indeed! The director has an answer to all our doubts only problem is that he assumes that the viewers are all morons – Answer: Prithvi's mom (Devadarshini) wants her 'ladle' (Chella kutti) son to have some fun. Next Question: How will he then pass the difficult and highly competitive CA exam? The director has an even simpler answer- Prithvi is anyway only going to ride a motorcycle during most of the 2nd half of the film in trying to rescue his girlfriend Samyuktha (Priya Anand)! Simple isn't it! So let me move on before I completely blow my top!
The hero this time a part time ‘CA’ student cum ‘pizza’ delivery boy once again for the nth time falls for the heroine Samyuktha in a bloody bus! (Who by the way has come down from France with her mom to study medicine). But this time it is the Pondy state transport bus. At this point my frustration is now slowly turning into mild rage. The director does not disappoint me and continues with his ridiculous premise and screen play. From this point onwards he takes the viewers on a tortoise ride (pardon my cruelty to animals. It was not intentional) He very slowly after a few blunders and juvenile awkward moments between Priya and Samyuktha makes them finally fall in love! Yay! Not so fast! Yes! The director has a weak trick up his sleeve. Another desperate attempt to make the premise interesting but the ploy fails miserably. Atharvaa's mother continues to foolishly indulge to the whims of her 'fatherless' son. Why? FB - The father dies in an accident witnessed by Atharvaa. This should have made me cry but it actually made me even more angrier with the film maker. Anupama the heroine's mother is either busy doing yoga or talking in an exaggerated English accent. Then there is Samyuktha’s father in France who never really makes an appearance. We do have a comedy quotient in Jagan who at times forces a smile out of you. Prithvi's closes buddy this time Surprise! Surprise! Is a girl (Laksmi Raai). She is tattooed all over and dresses in skimpy clothes and even does an item number. In other words kollywood’s entire glamour quotient bundled into one character. After a couple of poorly choreographed songs the villain of the piece kung fu cum easy bike rider Johnny Try Nguen makes an appearance to recover 'Raven'! What's raven? It’s a 'Dukati' super bike bought earlier by Prithvi to please and woo his girlfriend Samyuktha! End of 1st half which has hardly any content, humor, romance, action or fast and furious bike racing as the title suggests!

2nd half is even more ridiculous as Jhonny abducts Samyuktha and threatens to kill her unless Atharvaa returns the 'Dukati' which by the way he had legitimately bought from a dealer by paying a small fortune. Why does Jhonny go the end of the world to pull this stupid kidnap drama? The director once again comes to your rescue by narrating a stupid flash back- Jhonny's brother had in the distant past raced with Prithvi who was ‘originally’ known as Michael. He then happens to lose his elder brother Jhonny's 'Dukati' in a private motor cycle race with Atharvaa aka Michael. Shamed at losing his brother Jhonny's bike he shoots himself. In fact this shot is stretched to such torturous levels that at this point I simply wanted to stand up and shout obscenities at all concerned in the making of this film. Finally after a protracted (kung fu) action scene between Jhonny and Prithvi in which Atharva looks like a novice compared to Jhonny the director decides to end Prithvi and the viewer’s misery and both of them decide to settle issues by having another bike race for the elusive ‘Dukati’. Samyuktha the dumb heroine that she is simply watches the proceedings!

And the climax what follows is 10 min footage of speed bike racing in France between Prithvi and Atharvaa. (Totally out of ideas the director even passes the onus to the viewer literally pleading with them to imagine that the race is happening in Pondy though shot in France.Though for the love of god I simply could not). I am sure by now you guys have figured out the logical end to this pathetically absurd 2 hour drama. After which I slowly trudged out of the theatre with a splitting headache!

What irked: The story, screen play, direction, acting, and the work of the technicians in trying to corner personal glory for themselves.

What worked: The last 10 min’s had some connection to the title of the film and bike racing. But by that time i had lost interest in the film!

Bottom line: Why this 'Kolaveri' to torture Tamil cinema viewers!

Finally a quote: ‘If you attend this crap with friends who say they like this film inform them they are idiots.’

My Rating: 0.5/5

Until Next Time,
Director Haricharan

29/8/2014

Friday, August 22, 2014

Aintham Thalaimurai Siddha Vaidhya Sigamani - A Disgrace to Film Making!

Aintham Thalaimurai Siddha Vaidhiya Sigamani – Disgrace to film making!

The Crew:
S/S.P/Direction: LG Ravichander
D.O.P: PG Muthiah
Music: Simon
Edit: V.Vijay
Producer: Pushpa Kandasamy/S.Mohan
& the Cast
Actor/Actress
Character
Bharat
---------
Nandita
---------
Thambi Ramaiah
---------
Manojbala
---------
Iman Annachi
---------
Karunakaran
---------
Singampuli
---------
Badava Gopi
---------
Junior Balaiah
---------
The list is long and probably the rest of the cast will feel relieved if I don’t mention their names!


Movie Genre: 
Adventure
Political
Documentary
Horror
Thriller
Comedy
Social Drama
Animation
Romance
Detective
Drama
Musical
Disaster
Masala
Children
Historical
Science Fiction
Fantasy
Biography
Youth
CRAP





MOVIE REVIEW
Premise: It’s about two people the hero and heroine who lie to each other that they are literate and get married. Bharat an illiterate Siddha doctor is forced to lie that he has an MBBS degree and Nandita poses as a graduate but is actually an illiterate. Ladies and gentlemen what follows for the next 151 mins is making a fool of an ass of all the 30 odd viewers who were watching the film including yours truly!

WARNING! This film is totally devoid of any kind of content, screenplay, dialogues, humour, drama, pathos, emotion, suspense, music, stunts, special effect or for that matter anything associated with the art of film making!  This film is well and truly probably the worst film I have viewed so far this year! In one line the film is total CRAP!

PHOTOGRAPHY: --------------------------------

EDIT:  -------------------------------

COSTUMES: -------------------------------

MUSIC: ------------------------------------

Bottom Line: After watching this film the Government should seriously consider adding another category to the National film awards – The ‘Worst’ film of the year!

Finally a Quote:  This film is an ‘OBITUARY’ to the ‘MASALA’ genre!

My Rating: 0/5 (An absolute disgrace to the art of film making!)
 WOW!
GREAT 
  DIFFERENT
MASALA
SO-SO
A STINKER
CRAP



Until Next Time,
Director Haricharan
22/08/2014

Thursday, August 21, 2014

ANJAAN - NO 'JAAN'!

ANJAAN – NO’JAAN’!

The Crew:
S/S.P/Direction: N.Linguswamy
D.O.P: Santhosh Sivan
Music: Yuvan Shankar Raja
Producer: Ronnie Screwvala

& the Cast
Actor/Actress
Character
Surya Sivakumar
Raju Bhai
Samantha
Jeeva
Vidyut Jamwal
Chandru
Manoj Bajpai
Imran Bhai
Soori
           Raja
Rajapl Yadav
Mahendran
Dalip Tahil
Dilik Harma
Murli Sharma
Murli
Rest not even worth a mention!


Movie Genre: 
Adventure
Political
Documentary
Horror
Thriller
Comedy
Social Drama
Animation
Romance
(Pretence)
Detective
Drama
Musical
Disaster
Masala
Children
Historical
Science Fiction
Fantasy
Biography
Youth

MOVIE REVIEW

Raju Bhai (Surya) and Chandru (Vidyut Jamal) are buddies in crime. Typical ‘kollywood’ style small time Mumbai dons who spend all their available time in killing people. In typical ‘K’ style a new guy takes over as Mumbai police commissioner. Supposedly as per the director the new commissioner is as tough as nails but in my opinion he turns out as the dumbest police officer on can conceive of ! After all this top cop allows his daughter Jeeva (Samantha) to be repeatedly kidnapped and how! You have to see to believe! The director Linguswamy devotes the entire first half to 1. Establish Raju and Chandru’s friends for like kind of relationship. The depiction of which is so boring and repetitive as this has been shown a thousand times in Tamil/Hindi films. 2. Raju and Jamal’s ‘Goonda Giri’ if one can call that. This feels like watching a dumb spoof. 3. Raju falling for the forbidden fruit the commissioner’s daughter Jeeva (Samantha) and this feels like watching 2 adolescent and immature kids playing a game of boy friend and girl friend. 4. a couple of stupid kidnapping scenarios where the BG score is nonstop and never ending. 5. Finally treachery and deceit where the director decides to kill Chandru and all of you by now have well and truly realized why! 6. Then there is the poor man’s comic Suri who would have been better off eating parotta’s at home than torturing us as a Mumbai taxi driver! Off course a couple of item numbers and cabaret have been added as UTV had a lot of money to dole out!

The 2d half is even more pathetic as Krishna aka Raju Bhai returns to do a la ‘CHUN CHUN KE MARUNGA’! In this half he brings in a clean shaven & bespectacled Surya walking with a stick as a handicapped individual. And no one except the viewers are able to recognize that Raju and Krishnan are one and the same! Isn't this director simply brilliant! What did this director think while conceiving this premise? That all of us are stupid idiots and morons and will watch any kind of crap he can concoct! Anyways let me stop ranting and fuming like Nagesh in Thiruvillaiyadal and finish reviewing this 170 mins of a disaster of a film. Raju then goes on a one man rampage spree as picks the bad guys and one by one and knocks their guts out. He uses all the available kollywood techniques and weapons as he bashes, stabs, gores, spikes, spears, slashes, gouges, shoots and kills all those treacherous gang members who were responsible for killing Chandru his dear friend. He starts all over again as he bashes, gores, spikes, slashes, gouges, shoots and kills all the rest of the bad ‘actually poor’ guys for kidnapping Jeeva (Samantha) for the third time in a row in this film. Who by the way is in a ‘bhurka’ almost throughout the second half of the film. Reason being she does not want to reduce the intensity of the pent up anger within surya and reduce the gore and liberal flow of blood while he dealt with the evil doers. Finally Surya kills the dreaded ‘IMRAN bhai’ a ‘Dawoood’ kind of a don whom the director has portrayed as Mumbai’s version of the godfather! P.S .Surya also uses his charm, charisma, guile and with the help of 100 call taxi’s he nonchalantly convinces the rival ‘adiyals’ to change sides and this time not a drop of blood is shed!

What worked for me: NOTHING
What irked me most: THE FILM

PHOTOGRAPHY: --------------------------------
EDIT:  -------------------------------
COSTUMES: -------------------------------
MUSIC: ------------------------------------
SPECIAL EFFECTS: ---------------------------------

Finally a quote: It amazes me that filmmakers still dare to make such films, and viewers still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a lunatic!

Bottom Line:  It’s high time ‘Surya’ and all the the other so called ‘super’ lead heroes gave something back to the Tamil viewers by choosing subjects with meaningful content! After all over the years they have earned considerable amounts of fame and fortune from them! They simply owe it to them even if they consider it as charity . Definitely 1 or 2 non ‘masala’ films will hardly create a dent to their personal fame or fortune!

My Rating: 0.5/5 (for the sake of technicians!)
 WOW!
GREAT 
  DIFFERENT
MASALA
SO-SO
A STINKER

Until Next Time,
Director Haricharan

21/08/2014

Tuesday, August 19, 2014

Kadhai Thiraikathai Vasanam Iyakkam – An invite to a director’s discussion table!

Kadhai Thiraikathai Vasanam Iyakkam – An invite to a director’s discussion table!
The Crew: S/S.P/Direction – Parthiban, D.O.P – Rajarathnam, Music – Vijay Anthony/Alphons Joseph, B.G Score – Sathya/Sharreth, Edit- Sudharshan, Visual Effects – Dhas Karthick
Singers: Premgi Amaren, Shantanu Bhagyaraj, Haricharan, Alphons Joseph, Madhan Karky, G.V.Prakash Kumar, Na. Muthukumar, Ramya N.S, Nakhul, Vemkat Prabhu and Saindhavi
Producer: K.Chandramohan
& the Cast
Actor/Actress
Character
Santhosh
Tamizh
Akila Kishore
Daksha
Dinesh
Aravind
Lalu Alex
Murthy
Sahithya Jaganathan
           Shirley
Vijay Ram
Murali
Mahalakshmi
Deepa
Thambi Ramayya
Seenu
Aarya
Guest Appearance
Vijay Sethupathi
Guest Appearance
Srikanth
Guest Appearance
Vimal
Guest Appearance
Prakash Raj
Guest Appearance
Tapasee Pannu
Guest Appearance
Nazriya Pannu
Guest Appearance
Siva Karthikeyan
Guest Appearance
And many many more!

Movie Genre: 
Adventure
Political
Documentary
Horror
Thriller
Comedy
Social Drama
Animation
Romance
Detective
Drama
Musical
Disaster
Western
War
Historical
Science Fiction
Fantasy
Biography
Youth

MOVIE REVIEW

In my opinion Director Parthiban is a cut above Actor Parthiban. He should continue churning out good meaningful cinema which most the other directors of today’s Tamil cinema simply don’t have the guts and passion to do! Let me now address the issue on hand – KLTV! My one line review of this film will be – A series of humorous incidents spoofed, at times exaggerated & probably trivialized to disguise the agony, pain, and heartbreak of a typical aspiring Kollywood Asst Director Tamizh (Santhosh), his wife Daksha (Akila Kishore) and his team of aspiring and passionate film makers which in this case includes a camera man Dinesh (Aravind) more of an enthusiast, an aging but seasoned associate director Seenu (Thambi Ramiah) and Tamizh’s 3 asst directors Shirley, Moorthy and Murali. The first half is once again the best half of this film as has been the case in recent Tamil films. Here the director starts the film with a bang showing visuals of a dramatic footage of a Tsunami kind of disaster etc featuring Vishal (guest appearance). He then reveals that all the visuals are mere figments of the imagination conjured by Tamizh and his team’s narration in their search of a unique plot and premise for their film. The director then steps up the tempo by showing visuals of the reactions of Tamil viewers of different segments airing vociferously their do’s and don'ts  on how a Tamil film should be taken. This definitely is a novel attempt and makes one smile in appreciation and delight. The director then takes you to the core of filmmaking – discussion of the premise by the director and his team. Here Seenu the associate director an old war horse narrates his anecdotes from famous legends of yesteryear like Devar, Sridhar, Balachander, Bhagyaraj etc which are quite amusing and times hilarious. He wisely refrains from commenting on the directors of today. It also makes smarting references to copying and aping of Hollywood films in recent times. The younger assistant directors also share their idea of today’s cinema and film making techniques by talking about examples from the screen play and scenes from directors like Manirathnam along with the nuances and techniques used by today’s younger film makers. This will be of interest to the viewers though somewhat repetitive and boring to film makers and technicians as they go through this type of similar experiences day in and say out. In fact the narration in the first half is the very basis of the second half. Daksha plays a major role too as a person overly in love with her husband Tamizh. She nurtures, encourages and motivates him to succeed as a film director though heart of heart is unconvinced about success stories in the film industry. The narration of the story to a typical Tamil producer and his conception of the King’s English language add hilarity to this half. Though the plot is wafer thin the screen play keeps you glued to your seat eager with expectation to move to the second half.
The second half in my opinion flatters to deceive. Here the director is flummoxed and pushed into a corner as the premise simply cannot afford any more stretching. So what does the director do? He brings in a second female protagonist as jealous quotient to Tamizh’s wife Daksha who has been characterized as an over possessive person. To add some suspense and thrill the viewer is led to believe that the second heroine who is totally guided by intuition is madly in love with Tamizh.  On being spurned by the hero she simply kills herself. In fact this is a borrowed connection from a first half narration by Seenu of an old film in which the heroine is similarly killed but when the hero returns home and to his shock finds her alive. Let me not add any more as this will be a spoiler. On the face of it this may appear to be novel to many a viewer but somehow to me it appeared to be thrust and contrived to add to the footage. The other bizarre incident in this half which simply failed to impress me was the frivolous reasoning given by the director for Daksha removing the Thali (Mangalsuthra) especially after Tamizh turns up late on their wedding anniversary day after an accident and a bloody forehead. Daksha the overly in love wife suddenly turns into a Psycho for an innocuous reason as this! Unbelievable!  In fact he repeats this in the premise of the Tamizh’s film premise in this half. This simply makes it doubly ridiculous and in my opinion the Thali removal was really idiotic even if it was meant as a tribute to director Bhagyaraj (Antha 7 Naatkal). The reasoning given by director Bhagyaraj in that film was rock solid and stood the test of time of tying and removing the Thali! The second half in my opinion petered out into a tame affair by infusing the romantic interlude of Aarya and Amla Paul simply to add weight in numbers and does very little to enthuse the viewer in any manner whatsoever. The finale was the introduction of a producer (Dhanajeyan of UTV fame) who is portrayed as an astute, highly intuitive, innovative and successful producer! Wasn’t 'Anjaan' the last film he produced? This was indeed an irony!
& the climax in my opinion this was the only way to end this film. The climax left me with a feeling that the director had totally overreached in this half. In trying to do too many things he finally ended up with a dampener of a climax which probably left the director guessing much more than the viewer.
What worked for me: The screenplay, the dialogues, Tamizh and Daksha’s performance, camera work. Premise different. Devoid of the unnecessary masala very refreshing. Though a bit preachy and melodramatic Seenu’s dialogue at the hospital trying to dissuade the team in pursuing their passion in film making.
What irked me most: Too many characters with ‘name’ tags to prop the film. The 2nd half was rather repetitive and tame. Too many nuances and turns confuses can confuse the viewers. Unsuccessful films and incidents could have been used and the director Tamizh and his team could have turned them into positive incidents by using his intelligence. Lot of important factors affecting the Tamil film industry untouched in the premise.
PHOTOGRAPHY: The cameraman had effectively visualized the setting and characters well. His lighting did compliment the film. It was quite aesthetic and helped move the film’s premise.
EDIT:  The 2nd half would have suffered a worse fate if not for his work.
COSTUMES: The costumes accurately reflected the time period, place, and characters and was not out of place.
MUSIC: Did the music create the right mood for the story? I really wonder!
SPECIAL EFFECTS: Not great but adequate considering the budget.
Finally a quote: Reading's the only thing that allows you to use your imagination. When you watch films it's someone else's vision, isn't it?"
Bottom Line:  The first half keeps you glued the second half squirming!


My Rating: 2.75/5
 WOW!
GREAT 
  DIFFERENT
MASALA
SO-SO
A STINKER

Until Next Time,
Director Haricharan

19/08/2014