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Friday, October 31, 2014

Kaththi - A cardboard knife!

Kaththi - A cardboard knife with a diluted message: Civil Servant!
Mr.Alex Paul Menon IAS has expressed his views on this film in no uncertain terms. It has been featured in the english daily The Indian Express. Read on- Quote " I have nothing against films and filmmakers, because they are merchants... But expecting social responsibility from them is like seeking medicine for cancer from quacks," " Chest thumping and punch dialogues are not going to save our lives.Keep an open mind,analyze the problem to find a solution and solve it.We are our own saviours,and that is the only way out.Instead of wasting time and money believing 'Attakaththi' (cardboard knife),sharpen your brains Tamils.People's leaders are there among us,in our villages;don't search for them on the screen" unquote 
How true! Half baked research on serious issues facing the 'Aam aadmi'can cause more harm than benefit. Film makers like AR.Murugadoss should take a cue from Alex Paul Menon's observations as they hardly seem to care or respect criticism from film critics like yours truly!
Until Next Time,
Director Haricharan
1/11/2014

Thursday, October 23, 2014

Poojai - Masala 123 'Repeatu'

POOJAI - Masala 1,2 & 3, 'REPEATU'

Cast:- Vishal Krishna, Shruti Haasan, Satyaraj, Radhika Sharathkuar, Jayaprakash, Soori, Pandi, Manobala, Andrea Jermiah, Renuka, Imman Annachi and many many more who come and go to fill screen space...

& Crew:- S'SP/Dir - Hari, Music - Yuvan Shankar Raja the rest really don't really matter

Producer:- Vishal Film factory - Repair bill for cars and equipment must have cost them a bomb!


Give this director a few trucks, cars, suv's, auto's along with GI pipes, lamp posts, sawed knives, clubs, daggers, guns and pistols and he will conjure a movie for you! Honesty actors, performances, story or screen play does not play a major role as far as director Hari is concerned. He does not need CG or computer gimmicks he simply works on the basis of ill logical,unimaginable reality while filming. In all my years of viewing and film making this is the first time i witnessed a car climbing a tree! This scene is followed by a car and auto flying of the road and falling into a lake for no reason whatsoever. An 'adiyal' is hammered by the hero 'Vishal' simply bounces off mother earth like a rubber ball. 'Adiyals' fly great distances defying Newton's law of gravity and at one point of time i began wondering whether some of these guys will transform into flying machines! This director has an unbelievable sequential formula of 123! Scene1 Action Scene 2 Comedy and Scene 3 Romance! He arranges his whole film on this never ending loop!. You sit back and fasten a seat belt ( i recommend that you bring your own seat belt as theaters do not provide you with seat belts). It will help you from being thrown around while watching this film. Don't worry If you fall asleep at any point while watching the film with predictable periodicity an action scene with extremely high decibels of sound will simply jolt you into 'awake' mode. The action scenes have so much of blood, gore and pulpy flesh splattered all over the that it will make a slaughter house appear like a sanitized area! If the director gets bored while watching the rushes he simply instructs the director to super fast forward the scene and at times the whole scene simply becomes a blur of light, colour and loud sound. In fact even the songs are a copies from various films to enable the viewer to test his knowledge base of Tamil film songs. BG score never stops but starts from a loud sound and reaches a crescendo but shuts off just before one becomes deaf and starts once again! The only non violent violent scene in the movie is when Vishal removes the villains dhoti in public! Lets now look at some other aspects of this 'anti gravity action film!' 
Acting:- This film boasts of a super hero in Vishal (who also happens to be the producer). He is supposedly a small time 'Kandu Vaddi' financier in Kovai veg market - as usual has a glorious past (flash back thro Soori) . Vishal is either leaping, flying, shooting, clubbing, knifing, killing or driving an SUV for nearly100 mins out of the 140 mins the rest of the time he is purposelessly romancing like a school kid with Shruthi Haasan - She behaves and speaks in 'Mazhalai' Tamil like an anglo indian from Vepery. When will these heroine's stop behaving like immature scantily dressed bimbos and start performing.Then there is Sathya Raj a stalwart who simply looks good in the uniform but literally has no role to play. He is all over the place delivering dialogues in typical kovai dialect with no sense of purpose or direction ! Then there is madam Radhika straight out of a TV serial but sounding like a feel good version of Ramya Krishnan (Padayappa).  We also have Pakkoda Suri who tries his best to humour the viewers but his efforts are in vain as the film by itself is a comedy of sorts. The director tries to replay a poor rehash of the 'Senthil Goundamani' nostalgia which in my opinion falls flat and an absolute insult to the yesteryear pair! by substituting the original with a poor duplicate in Soori and Pandi. Then there is JP suited and booted his role reduced to being slapped, running to save his life and wearing a turban not necessarily in that order. Poor Prathap Pothen why has he sunk to this level in accepting a minuscule role such as this one? He must have been drugged or sleep acting! Then there is the Villain (Sorry i really don't recollect his name) In fact it may serve him better by not naming him. He is a Tamil who runs an 'undercover Kooli' Padai! A Tamil refugee from Bihar! Why Bihar? Probably Lalu Prasad had a major role to play in this part of the screen play! His role is to look serious, shout orders to his stupid 'adiyals'. He gets wet in the rain and repeatedly bashed up by the hero but each time returns to get disfigured all over again! In fact all in all a human punch bag endowed with the intelligence of an amoeba! Then there is Andrea Jermiah who is the HOT item in this film dancing bare feet , bare clothes all over the veg market! They are many other comedians who are 'actually' serious players in this 'desi' version of transformers! 

Story:- What Story? Oh! Story! The hero falls in love (sings and dances) He speaks a few comedy lines with his buddy Soori and seeks revenge on all the baddies from Bihar! and sends them all to Mars by sheer 'BASHPOWER'!  

Bottom line:- ISRO would have saved tons of money on 'Mangalyan' if only they had used this pair - Hari and Vishal!

My Rating :- 1.25/5 -WOW Points! +.5 for the sheer audacity of the director and producer to make a film like 'Poojai' and conning the viewers to watch it! Total - 1.5/5

Until next time,

Director Haricharan

24/10/2014

Kathi - 1st half - 'Blade" - 2nd half - 'Kathi' but 'mokkai' on one side!

Kathi - 1st half - 'Blade' 2nd half - 'Kathi' one side 'Mokkai'!

Cast:- Vijay, Neil Nitin Mukesh, Samantha, Satish, & Totta Roy
& Crew: - S/SP/Dir- AR Murugadoss, Music - Anirudh Ravichander
Producer:- Lyca Productions

Story/Backdrop/Screenplay
The film opens with a long shot of the Kolkatta central jail. Why Kolkatta? No idea, maybe the director can answer that! A racy start as a notorious criminal attempts to escape but what follows in the next 75 mins or so is a dis jointed crawl which makes you uneasy and squirm at times! The next 70 mins (2nd half) picks up a bit of pace and ends up with a preachy climax followed by a typical ' A.T.K.V' climax! (adi thadi kuthu vettu). If your are an ardent die-hard Vijay fan you will be willing to sit through the 1st half and perk up in parts through out the 2nd  half for the rest i leave it to your own viewing judgement! Lets get to the story - A notorious criminal escapes, the prison authorities (cops) are more worried about the reputation of the prison rather than their own bumbling and stupidity. Finally one cop comes up with a stupidly brilliant idea of employing another prison inmate Kathiresan (Vijay 1) a con man cum escape artiste to track the escaped criminal. Kathiresan asks for the floor plan of the prison plan and using his brilliant  powers of '3D' deduction (more of esp than any logic or reasoning powers at least in my opinion). In fact Google should think of using him to chart their maps after watching this film! Honestly I wonder what the director had in mind while conceiving the character of Kadiresan. He in his attempt to portray Vijay in a new 'Avatar' ties himself into knots and even ends up confusing Vijay! Anyways finally the police after a so called thrilling but rather comical chase nab the criminal but end up losing Kadiresan! Once again the case of the 'idiot' Tamilnadu police! Kadiresan now lands up in Chennai and as predictably meets up with his old buddy and of course you have guessed right the 'comedian' Sathish! What follows is a series of absolute 'cry able' comedy which thankfully culminates at the airport when Kathiresan meets the  love of his like Samantha! Here the director has conceived a brilliant idea which should be implemented by the Indian government to arrest the 'brain' drain in the country. Simply plant a pretty girl at the airport and every time our boys attempt to leave the country they will fall in love with these plants and end up staying back to pursue the elusive fair maiden and chasing their love all over the country! I think Samantha was busy watching this films shooting rather than playing any kind of role in this film. The heroine is characterized as a dumb bimbo who keeps having silly 9 year old conversion with Kathiresan thereby ends up diluting Kathiresan's character in the film. Of course true to Tamil cinema culture the villain surfaces this time in the form of Nitin Mukesh a fair skinned 'aryan' who according to this director is supposedly the head of an American multi national soft drink bottling plant. This guy stoops to any level to source water for his bottling plant even if it means committing genocide by wiping an entire village. This director supposedly is against FDI's and has gone to great lengths to make multi nationals look totally evil and dastardly. It then makes one wonder how this director entered into a contract with Fox Star an American  multinational film company of quite some repute. Mr.AR.Murgadoss seems to somehow have a rather very one sided & biased view on the C.E.O's of these companies. Lack of research is the probable cause for this fallacy. In fact Indira Nooyi of Pepsico and Satya Nadella of Microsoft are both not exactly fair skinned prototypes. 2. Nowadays multinationals do not at will attack or displace villagers using such strong arm methods 3. In fact multinational companies tread softly on 'people' issues like farmer displacement etc and diligently keep away from controversies which may affect the 'aam aadmi, like the TATA NANO incident in Kolkatta. In fact this is all ways my problem with directors such as these who do half baked research on serious subjects. (e.g. 7aam arivu there again this director never interacted with the Shaolin monastery or the ASI )They continuously  exaggerate such issues as farmer's suicide etc which sort of paints a colored picture of the oppressor and oppressed. While 'Peepli Live' was an endearing film on the same subject 'Kathi' somehow falls flat owing to it's preachy and exaggerated content. The director uses rather simplistic examples like Strawberry condoms and egg shampoo to symbolizes the elite and the haves which hardly makes an impression. Let me get back to the story Nitin the villain tries the grab an entire village as Jeeva (Vijay 2) a Hydrologist locates a huge underwater water source in his famine struck village. After all his 'persuasion' methods fail Nitin attempts to eliminate Jeeva by hiring a 'Kooli' Padai to shoot him and the directors orchestrates a coincidence in the screen play as Kathiresan (Vijay 1) and Satish witness the attempt to kill Jeeva his look alike! Kathiresan the good samaritan saves Jeeva's life but at the same time is forced to impersonate Jeeva to save his own skin.
The 2nd half is all about how the con man Kathiresan (now impersonating Jeeva the good hearted hydrologist) moved by the plight of a few old people and villagers now living as inmates of an old aged home run by Jeeva decides to take their cause and becomes the real hero. By another sheer coincidence Samantha's uncle is also an inmate of the same old age home so Kathiresan sense of energy and purpose becomes two fold. Kathiresan wards of repeated offers of money by Nitin (off course these days the directors while keeping up with time and 'logic' have upped these figures to 50 crores and above!
(after all even the bad guys are affected by inflation). Kathiresan in his efforts to save the villagers and their property uses all the possible weaponry provided by the director like pipes,knives,wooden, iron angles and even a bag of coins donated to him by the poor diplaced villagers to outwit and bash the 'adiyals' to a messy pulp of blood and flesh! The director is clearly not a racists as he even employs a few Nigerians as 'adiyals'. The director finally also takes a dig at his version of the so called 'elitists' of Chennai. All this time Jeeva is wallowing in a Kolkatta jail pleading to the dumb cops that he is not Kathiresan but Jeeva (The Kolkotta cops are oblivious to forensics or fingerprinting etc). Finally it dawns not to the cops but the notorious criminal who senses that Jeeva is not Kathiresan. So what does he do? He arranges Jeeva's escape once again from the 'easy escape' Kolkatta prison so as to enable his 'adiyals' to follow Jeeva who is so damn gullible and naive that he is bound to lead him to the impersonator Kathiresan who was was originally instrumental in his recapture. Confused! Don't worry even the Kolkotta police were!
The Climax is all about Kathiresan who with help of the aged inmates decides to teach all all 'you' city folks a lesson that you will never forget! How? Simple! By blocking the water supply from all the Chennai reservoirs. ALL? Yes! ALL! Wow! Finally after a 5 min preachy speech by Kathiresan and one hell of a improbable 'athiradi' climax thankfully the 146 min action oriented political saga comes to an end! No! Wait there is another 5 min bit added! for those who exit early to feel sorry and disappointed! Ok! Now the film has truly ended! I wonder how someone who is repeatedly stabbed multiple times, continuously tossed around and bashed up with all possible weapons with all available material from wood/stone and even brick and concrete can finally still walk around with just a band aid and an endearing smile! Well Kathiresan can! The final speech is once again filled with similes of the Mahatma and Mother Teresa the only problem being that all the great leaders the director paid ode to followed the path of Ahimsa and hated violence in any manner whatsoever.   

Vijay 1 & 2 :- A very weak and confused characterization by the director lets down Vijay the actor very badly. I feel very sorry for this actor who has been forced by the director to foray into un charted waters. In fact the director has tried vey hard to make Vijay do something different and ends up botching Vijay's certain innate strong points big time. Vijay's cheerfulness and comic sense is lost in the silliness and juvenile characterization forced on him by the director. It's sad case of losing an opportunity of effectively using a big star like Vijay!

Samantha:- I think was contracted to watch the shooting rather than play a part in this film. She could have at least paid more attention to her costumes and make up!

Nitin:- Straight out of a Raymond suiting advert! Devoid of emotions - Unacceptable as a villain by any standards!

Music:- Anirudh should stop dancing for his own music and instead start concentrating on better music and BG scores. On the whole rather pathetic!

What worked for me:- 1. The first jail break scene 2. The intro of Jeeva 3. The suicide of the farmers to highlight their cause 3. The 'vivid' imagination of the director in conjuring the coin hit and hide scene (though exaggerated)  4. Camera work and 5. Partly the final scene once again of an exaggerated delivery of extended and preachy dialogue by Kathireasn just before the climax.

What failed:- 1. Too many coincidences 2. The juvenile dialogues between Kathirean and Samantha and their complete lack of chemistry 3. Murugadoss and his one line cliched delivery a la Rajini - ' What do you think of yourself? We understand. Mind it!' Supposedly a veiled warning to all the white english speaking Tamils! 4. Marginalizing the city dwellers and attempting to create a divide between the city dwellers and the villagers by using exaggerated means.

Bottom line:- The bigger the actor the greater the director's responsibility!

Finally a question:- Why is that our Tamil heroes in spite of their larger than life image not being noticed by Hollywood directors/ producers? Is it because these films are only watched in Tamilnadu and Tamil audiences or are our directors incapable of weaving a storyline to showcase their talent elsewhere to the rest of the world ?

My Rating:- Film + 2.25 Camera +.25 total 2.25 Director -.25 Total = 2.25/5

Until next time,
Director Haricharan

23/10/2014